THE PIONEER POETS
THE PIONEER POETS
Gladys casely hayford (1904-1950)
Alias Aquah Laluah
(11 May)
Was a Sierra Leonean writer, daughter of Adelaide
Casely-Hayford.
Rejoice
Rejoice and shout with laughter
Throw all your burdens down,
If God has been so gracious
As to make you black or brown.
For you are a great nation,
A people of great birth
For where would spring the flowers
If God took away the earth?
Rejoice and shout with laughter
Throw all your burdens down
Yours is a glorious heritage
If you are black, or brown.
ANALYSIS
In the United States of
America, there has been a growth of interest
in the creative writing of Gladys Casely-Hayford. Her published work has
appeared in recent anthologies. Some readers believe she was part of the great
cannon of African-American women writers. Of course, most of the Literary,
Language, sociology, anthropology etc. students have heard of Harlem
Renaissance in their area of study or research work. The Harlem Renaissance was
a cultural movement that spanned the 1920s. At the time, it was known as the “New Negro Movement” named after the
1925 anthology by Alain Locke. The movement also included the new
African-American cultural expressions across the urban areas in the Northeast
and Midwest United States affected by the Great Migration (African America), of
which Harlem was the largest. And Casely was an
influential writer in the Harlem Renaissance.
Background of Harlem
Until the end of the civil war, the majority of
African-Americans had been enslaved and lived in the south. After the end of
slavery, the emancipated African American began to strive of civic
participation, political equality and economic and cultural self-determination.
From 1890 to 1908 they proceed to pass legislation that disenfranchised most Negros
and many poor whites, trapping them without representation. They established
White supremacist regimes of Jim Crow segregation in the south and one-party
block voting behind southern Democrat whites denied African Americans their
exercise of civil and political rights by terrorizing black communities with
lynch mobs and other forms of vigilante violence as well as by instituting a
convict labour system that forced many thousands of African Americans back into
unpaid labour in mines, on plantations, and on public work projects such as
roads and levees. Convict labourers were typically subject of brutal forms of
corporal punishment, overwork, and disease from unsanitary conditions.
Now, take a critical look at the poem above, without Albert Einstein brain, one can deduct from the title of this poem “Rejoice” the sense of lost and
reappraisal, Rejoice is a French word rejoir, from Latin Gaudere, meaning – to
feel or show that your happy.
The tone of the Poet shows that the community, society,
black people lost something, of which she is refilling their minds with
superlative words from her efflorescence pot of poetry.
Line 1: Rejoice and shout with laughter—this type of
expression-- a linguistic Mogul can classify it as an illocutionary act, done
to achieve a particular behaviour or attitude.
Line 2: Throw all your burdens down—you can picture Israelite in Pharaoh’s land, until Moses’ invasion, Africans and their
colonial masters, until independence and African American in United
State until Writers, Activist’s
interference. Overwork, hard labour, just to make the Blacks feel they are
donkeys and bulls. The poet commands them to throw all their burden down, feel
free, relief yourself of loads, we are the same with whites.
Line 3-4: Be proud of your colour, if God is so gracious to
make you Black or brown, racism comes in here, Ralph Ellison, Richard Wright,
Morrison and many more know what it takes to be a black boy walking down the
street of united state. The black skin of an African America makes him/her an
object of hatred and ridicule. Because Whites assume that their colour of skin
is the real concept of beauty. And here the poet speaks like a negritude
member, boldly be proud of your skin!
Line 5-7: A great nation like Blacks, people of great birth,
the poet asserts that without blacks the whites cannot become what they are. Africa
is the soil where the white grows in different areas of life. Ellison
illustrates this idea in Liberty
paint, where many black chemicals are mixed to form “Optic white”- Invisible
Man.
Read the poem aloud you will find that the rhythm of the
poem is a brisk, lively, and joyful one- like that of a drum in a brass-band or
that of a battle chant or church hymn.
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